Category: Talk

  • Which Stylus Should I Use to Play 78 rpm Records using Audio Technica AT-LP120XUSB turntable?

    Which Stylus Should I Use to Play 78 rpm Records using Audio Technica AT-LP120XUSB turntable?

    Two months ago I posted a video showing the unboxing and setup of the Audio Technica AT-LP120XUSB turntable, a popular choice for those who are wanting to play 78 rpm records on modern equipment.

    You can watch it here:
    https://youtu.be/2JLmLa4Wd2Q

    In today’s video, I will run you through the different output options you have to get sound from your turntable into your computer and discuss the importance of stylus size when it comes to playing 78 rpm records on modern turntables.

    I test four different combinations:
    • 3 mil 78 stylus on AT-95E cartridge via analog line output
    • 3 mil 78 stylus on AT-95E cartridge via digital USB output
    • 0.7 x 0.3 mil elliptical LP stylus on AT-VM95E cartridge via analog line output
    • 0.7 x 0.3 mil elliptical LP stylus on AT-VM95E cartridge via digital USB output

    We will listen to these options across three different records from different time periods, labels, and conditions:
    • An acoustically-recorded record in rough shape: Cameo 348 “Papa Blues” – Dixie Daisies
    • An electrically-recorded disc: Victor 22720 “Dip Your Brush in the Sunshine” – Snooks and his Memphis Ramblers
    • A modern African disc recorded in the 1950s: Gallotone KE.45 “Ndikhola Ndlwa” – Barthly Ojuang

    Each recording represents the output from the turntable (with an EQ filter to adjust for the RIAA equalization applied by the phono preamps) with some gain adjustment so all samples are at an equal volume. No additional EQ filters, de-clicking, or noise reduction was applied.

    My conclusions? LP stylus output is noticeably noisier though crisper and livelier in the high frequencies at these raw settings. 78 stylus is more reliable, much less noisy, and gives you more options to tweak once you’ve digitized it.

    The noise differential was most noticeable for me on the record in rougher shape (Cameo 348). Here, the LP stylus performed at its worst, having to navigate across all of the scuffs and scratches of a 78 rpm record in rough shape.

    Interested to hear your thoughts! Leave a comment. 🙂

    0:00 Intro
    1:15 AT-LP120 audio output options
    5:13 Stylus options: LP vs 78 stylii
    6:13 My mistake: AT-95E vs AT-VM95E cartridge
    7:32 Stylus and Cartridge options for testing
    7:52 How to compensate tracking force settings
    9:02 Testing configurations
    10:30 Test setup
    11:12 Test 1: Victor 22720
    14:15 Test 2: Cameo 348
    17:30 Test 3: Gallotone KE.45
    20:20 Reaction and Discussion

    Some of the websites I’ve referenced in the video include:

    Voice of Music
    https://www.thevoiceofmusic.com/
    My favorite place to buy stylii and other parts for turntables!

    Esoteric Sound
    https://www.esotericsound.com/
    A site that has a wide variety of stylii sizes, cartridges, and other equipment for playing 78 rpm records.

    Audio-Technica AT-LP120XUSB Product Page:
    https://www.audio-technica.com/en-us/at-lp120xusb
    More info on the specs of the turntable I am demoing.

  • How To Pack Fragile 78 rpm Records to Ship Safely

    How To Pack Fragile 78 rpm Records to Ship Safely

    A short video showing the most widely accepted method of packing 78 rpm records for shipment. This method is nearly 100% guaranteed to result in a safe shipment of a fragile 78 rpm record. If you are a seller and are wondering how to ship 78 rpm records: PLEASE use this method! ^_^

    More details can be found by Googling “Shipping 78s” and reading articles such as:
    http://www.claxtonola.com/shipping78s/
    and
    http://oldtimeblues.net/2016/06/04/a-guide-to-properly-packaging-78-rpm-records/

  • Audio Technica AT-LP120XUSB Unboxing and Setup (Pt 1)

    Audio Technica AT-LP120XUSB Unboxing and Setup (Pt 1)

    The Audio Technica AT-LP120XUSB turntable is one of the most widely recommended turntables to buy if you are interested in playing 78 rpm records on a modern setup.

    Recently I helped a friend of mine overseas obtain one – and had it in the jazz bunker for a few days to test and play with. I decided to make a video to help him set it up correctly – and share it with you in case you’re thinking of buying an AT-LP120 and needed some help.

    In this video, I unbox an AT-LP120XUSB turntable, go over how to set it up correctly, and how to hook it up to your computer via a USB cable to make digital copies of your 78 rpm records using the free software Audacity.

    Audacity can be downloaded for free at:
    https://www.audacityteam.org/

    In part two of the video, I will demonstrate the digital transfer process and share samples made from a few different 78 rpm records using different sized stylii and different output methods.

    Enjoy!

  • Pressings, Repressings, Reissues, & Dubs – A Guide for New Collectors of 78 rpm Records

    Pressings, Repressings, Reissues, & Dubs – A Guide for New Collectors of 78 rpm Records

    If you are new to collecting 78 rpm records, this video will help you learn about the different types of pressings of the 78 rpm era – which often confused me as a new collector when I first started.

    After I explain the differences between original pressings, repressings, foreign pressings, reissues, master pressings, dubbed pressings, and bootleg pirated dubs. Later in the video, we’ll do some comparative listening to hear the differences between different pressings of the same recording.

    Unfortunately, a planned comparison between the original pressing of “Bucktown Stomp” by Johnny Dodds’ Washboard Band on Victor with a British dub on His Master’s Voice had to be edited out due to copyright restrictions on that song. Maybe I’ll revisit this comparison in a few years when it enters the public domain.

    0:00 Intro
    0:40 A Duke Ellington Panorama
    2:27 Original Pressings
    6:22 Foreign Pressings
    7:28 Repressings
    10:23 Reissues
    11:51 Master Pressings
    13:04 Dubbed Copies
    14:39 Pirate Bootleg Dubs
    18:47 Confusing Outliers
    21:45 What about MY record? What type of pressing is it?
    23:22 Head-to-Head Comparisons
    24:13 East St. Louis Toodle-Oo – Duke Ellington (original v. master pressings)
    30:09 Brush Stomp – The Chicago Footwarmers (original pressing v. pirate dub)
    33:46 See See Rider Blues – Ma Rainey (dub v. dub)
    38:17 Summary

    Please let me know your thoughts in the comments – what’s your take on original pressings vs. reissues?

    Find Out More About Your 78 rpm Record
    https://youtu.be/4TkGJ1Yna1g

  • Find Out More About Your 78 rpm Record – Jazz Chat Episode 9

    Find Out More About Your 78 rpm Record – Jazz Chat Episode 9

    Collecting 78 rpm records is a fascinating hobby – and one of the first things many new collectors struggle with is where to find good information about the records they unearth.

    I made this video to help you find the excellent online resources out there that will enable you to learn more about your 78 rpm record(s). I always find that knowing more about a record deepens my connection to it.

    Here is a list of the sites and resources I go over in the video – bookmark these for future reference!

    Discogs
    https://www.discogs.com

    DAHR
    https://adp.library.ucsb.edu/

    Jazz and Ragtime Records, 1897-1942
    by Brian Rust, (Free Personal Use Edition)
    https://archive.org/details/rust_jazz-records_free-edition-6

    American Dance Band Discography
    by Brian Rust
    https://archive.org/details/Biblio-1979-USA-01-Brian-Rust-American-Dance-Band-Discography/

    The Complete Entertainment Discography (from mid-1890s to 1942)
    by Brian Rust
    https://archive.org/details/completeentertai0000rust/

    Blues and Gospel Records 1890-1943, 4th Edition
    By Robert M.W. Dixon; John Godrich; Howard Rye
    https://archive.org/details/bluesgospelrecor00robe/

    Country Music Records: A Discography 1921-1942
    By Tony Russell
    https://archive.org/details/countrymusicreco00russ

    Ethnic Music on Record
    By Dick Spottswood
    Vol 1 – Western Europe
    https://www.google.com/books/edition/Ethnic_Music_on_Records/haDl3PEpQP0C
    Vol 2: Slavic
    https://www.google.com/books/edition/Ethnic_Music_on_Records/iSmUhoAz2lIC
    Vol 3: Eastern Europe
    https://www.google.com/books/edition/Ethnic_Music_on_Records/nRhQy_Q_rpkC
    Vol 4: Spanish, Portuguese, Philippines, Basque
    https://www.google.com/books/edition/Ethnic_Music_on_Records/qNh8VBZHQ2YC
    Vol 5: Middle East, Far East, Scandinavian, English Language, American Indian
    https://www.google.com/books/edition/Ethnic_Music_on_Records/TvB2hsWm8HwC

    AfroDisc – Discographies of African labels
    https://www.afrodisc.com/

    Michael Kinnear’s Website – Discographies and books on Indian labels
    https://bajakhana.com.au/

    Mainspring Press – Free Online Discographies
    https://mainspringpress.org/mainspring-press-free-online-discographies/

    The Chris Strachwitz Collection at the Arhoolie Foundation
    https://arhoolie.org/record-company-catalogs-of-regional-and-ethnic-music/

    Hendersonia: The Music of Fletcher Henderson
    by Walter C. Allen
    ​​https://archive.org/details/hendersoniamusic00alle

    Clarence Williams
    by Tom Lord
    https://archive.org/details/clarencewilliams00lord

    Mr. Jelly Lord
    By Laurie Wright
    https://archive.org/details/mrjellylord0000wrig

    BG On The Record: A bio-discography of Benny Goodman
    By D. Russell Connor and Warren W. Hicks
    https://archive.org/details/bgonrecordbiodis00conno/

    Ellingtonia: A Duke Ellington Discography
    https://ellingtonia.com/

  • How To Make Digital Transfers Of Your 78 RPM Records – Jazz Chat Episode 7

    How To Make Digital Transfers Of Your 78 RPM Records – Jazz Chat Episode 7

    If you’ve ever wanted to make digital transfers of 78 rpm records in your collection to listen to on modern devices (or make YouTube videos of your own), this video will walk you through my process so you can see what is involved.

    I’ll take you step-by-step as I demonstrate how I created a digital transfer of “Caravan” by Barney Bigard and his Jazzopaters released on the Variety label in 1937.

    If you have any suggestions, questions, or thoughts on my process – please leave a comment!

    0:00 Intro
    2:07 Step 1: Clean the Record
    3:04 My Signal Chain
    8:14 Step 2 – Digitize the Record
    10:09 My Philosophy on Digital Transfers
    11:35 Step 3 – De-clicking (RX Elements)
    19:26 Step 4 Trimming the Clip (Apple Logic)
    23:14 Step 5: Adjusting Play Speed
    29:29 Step 6: Audio Corrections (EQ, Gain, Summing to Mono)
    49:19 Step 7: Scanning the Label
    51:11 Step 8: Scan Corrections (tone, color, retouching)
    1:05:56 Step 9: Making the Video (Adobe Premiere)
    1:08:57 Comparison of Raw and Final Transfer
    1:10:21 Final Remarks

    The final transfer of this record:
    https://youtu.be/M17eZcf_hOw

    Link to the site I referenced with information on equalization and EQ curves:
    https://midimagic.sgc-hosting.com/mixphono.htm

    Software I Use:
    RX Elements
    https://www.izotope.com/en/shop/rx-elements/

    Apple Logic Pro
    https://www.apple.com/logic-pro/

    Adobe Photoshop
    https://www.adobe.com/products/photoshop.html

    Adobe Premiere
    https://www.adobe.com/products/premiere.html

    Epson Perfection V600 Photo Scanner:
    https://epson.com/For-Home/Scanners/Photo-Scanners/Epson-Perfection-V600-Photo-Scanner/p/B11B198011

    USB Audio Interface
    Universal Audio Volt4
    https://www.uaudio.com/uad-plugins/volt-4-usb.html

  • What To Do With 78 rpm Records You Don’t Want? – Jazz Chat Episode 6

    What To Do With 78 rpm Records You Don’t Want? – Jazz Chat Episode 6

    Jazz Chat Episode 6
    Field Trip to the Non-Jazz Deep-Freeze 78 rpm Record Archive!

    Nearly every 78 rpm record collector I know has a stack – or several stacks – or a few crates – or a garage – full of shellac records they don’t want and that do not have much resale value individually. This can happen as you acquire large job lots or have records given to you.

    A collecting mentor once told me: “If you pick up every record that comes your way, you are not a collector – you’re a hoarder.” And that is why I have focused my collection on jazz (with some notable excursions into music that interests me). But I have ended up with a lot of stuff outside of my area of focus.

    A sort of Hippocratic oath among 78 collectors is that you “do no harm” to old records – even the ones you don’t personally enjoy. This creates a responsibility as the record’s new caretaker to find good homes for them. However, as 78s are quite bulk and heavy and fragile – this responsibility can be daunting.

    These are not the kind of records that fly off the shelf. It could take several lifetimes or more to sell or find homes for each record individually. They are also difficult to sell as a group – as so many thousands of 78s weigh a lot and take a lot of effort to safely move. I have had luck with giving away some records – but often the people who claim free records are not collectors and I sometimes worry about their fate.

    In any case, join me as I visit my own personal “Lonely Mountain” hoard of unwanted records – the Non-Jazz Deep-Freeze Archive – and see what lies inside.

    Along the way, if you see anything you are interested in – let me know in the comments.

    I’ll be working on organizing most these for sale this summer when I have more time to devote to it.

  • Interview with Alastair Johnston about the Ngoma label & “The Soul of Congo” – Jazz Chat Episode 005

    Interview with Alastair Johnston about the Ngoma label & “The Soul of Congo” – Jazz Chat Episode 005

    My guest today is Alastair Johnston, producer of “The Soul of Congo: Treasures of the Ngoma Label” on Planet Ilunga Records – a incredible retrospective of the music of the legendary Congolese record label, Ngoma. This release is made up of all-new digital transfers from 78 rpm and 45rpm original records – some of which are nearly impossible to find.

    Alastair is full of so much amazing information and so many stories – it was a true pleasure to speak with him and learn more about Congolese Rumba, the origin of the Ngoma label, and much more. I hope you enjoy our conversation! I tried to break it up with short samples of some of the tracks on the set to keep things interesting.

    0:00 Intro
    0:32 My interest in the Ngoma label
    1:18 Planet Ilunga release
    2:12 Sample: Groupe de Flutistes Bayeke Lulua Jazz (Fulukayi, Tshisuisa)
    2:32 The MUSIC!
    3:21 Introduction: Alastair Johnston
    4:25 How Alastair became interested in African music
    8:35 Sample: “Anna Yaya” Trio BOW (Bukasa – Oliveira – Wendo)
    9:00 How did “the Soul of Congo” project start?
    15:04 Story of “Marie Tchebo” (Ngoma 110) by G. Edouard and M. Oliveira
    15:58 Selecting tracks for the release
    17:42 The history of the Ngoma label
    23:50 Sample: “Tuwayilanga Kimpwanza” – San Salvador (G. Edoward, M. Oliveira, H. Freitas, Bila accompagné par l’orchestre Beguen Band
    24:10 Cuban musical influence
    27:53 Social and historical context in Congo
    29:24 Discussion of “Mokili Ekobaluka” by Adou Elenga
    30:27 Sample: “Mokili Ekobaluka” by Adou Elenga
    31:09 Paul Mwenga and political music in Kizomba
    31:46 Getting lyrics translated for the project
    34:04 How lyrics add to understanding of the music
    36:00 What happened to the Ngoma masters and file copies?
    38:00 What made Ngoma special?
    40:08 Discussion of “Monique Wa Baba” by Léon Bukasa with a young Papa Noel on guitar
    40:46 Sample: “Monique Wa Baba” – Léon Bukasa
    42:18 Ngoma studio engineers and recording technology
    43:09 Testimonials in the liner notes
    44:29 The joy of Ngoma label music
    46:52 Will there be a second volume?
    50:39 Franco “Les Editions Populaires” release on Planet Ilunga
    51:27 Wrap up
    51:54 “Suwavecito Mambo” – Charles Lembe & son orchestre
    52:24 Where to get a copy of “The Soul of Congo” for your collection
    53:14 Announcement about Ngoma transfers posted on Jazz Crazy YouTube channel this coming week!
    53:44 Learning more about the history of African recorded music
    54:59 So long, farewell, auf wiedersehen, good bye

    A huge thanks to Alastair Johnston for taking the time to talk with me – and to Bart Cattaert of Planet Ilunga for his support of this interview. Also – my eternal gratefulness and thanks to all legendary musical performers of the Ngoma label! 🙏 Thank you!

    Learn more:
    “The Soul of Congo: Treasures of the Ngoma Label” on Bandcamp
    https://planetilunga.bandcamp.com/album/the-soul-of-congo-treasures-of-the-ngoma-label-1948-1963

    Alastair Johnston’s website: MUZIKIFAN
    http://www.muzikifan.com/

    Afrodisc (Discographies and label histories of African 78 rpm labels)
    http://afrodisc.com/

    Planet Ilunga Website
    https://planetilunga.com/

    Rumba on the River website
    http://rumbaontheriver.com/

  • Top Ten Most-Watched Videos of 2023 – Jazz Chat Episode 004

    Top Ten Most-Watched Videos of 2023 – Jazz Chat Episode 004

    Happy Holidays and Happy New Year!

    Just for fun, here’s a countdown of the top ten most-watched videos on the channel in 2023. I only counted views of videos that were uploaded in 2023 – though there is one honorable mention for a video that was not uploaded this year – yet still earned more views than any other video on the channel in 2023!

    If you want to peek or skip ahead, I’ve made some chapters below – so… Spoiler warning – spoilers appear below!

    0:00 Intro
    0:52 Honorable mention
    2:07 Number 10
    2:28 Number 9
    2:49 Number 8
    3:10 Number 7
    3:33 Number 6
    3:51 Number 5
    4:12 Number 4
    4:33 Number 3
    5:00 Number 2
    5:24 Number 1
    5:49 Conclusion

    Here are links to all the videos – since I ran out of cards to put onscreen during the video:

    Honorable Mention
    “Floyd’s Guitar Blues” – Andy Kirk and his Clouds of Joy
    https://youtu.be/rhwwXF3aWHs

    10 – “Crazy Rhythm” Miff Mole and his Little Molers
    https://youtu.be/KyFZ9FCcdug

    9 – “Lonesome Mama Blues” – Original Memphis Five
    https://youtu.be/VdFPO8tI7xU

    8. “Brush Stomp” – The Chicago Footwarmers
    https://youtu.be/nvz3bXHxKJU

    7. “Deep Hollow” B.A. Rolfe and his Palais D’or Orchestra
    https://youtu.be/dFiapmvji1g

    6. “Doin’ The Uptown Lowdown” – Joe Venuti and his Blue Six
    https://youtu.be/4LBHythnz0c

    5. “Whoopee Stomp” – The Lumberjacks
    https://youtu.be/Yymx8aGan94

    4. “Unfortunate Blues” – Lanin’s Jazz Band
    https://youtu.be/hRo4Mtozz0s

    3. “Shoot ‘Em” – Washboard Rhythm Kings
    https://youtu.be/hx01Bt5BHaM

    2. 三六板 – 吕文成, 尹自重
    https://youtu.be/DYm7mIjwIo4

    1. “Haunting Blues” – McMurray’s California Thumpers
    https://youtu.be/q9EgOPN8Mo0

    Thanks everyone for listening – I do this channel out of pure love for the music and it’s been a real treat sharing it with you and reading your comments.

    In addition to my normal videos of record transfers, in 2024 I hope to do more videos on topics related to jazz history and 78 rpm record collecting, as well as more conversations with jazz artists, producers, historians, and other collectors.

    Have a very happy holiday, a very Merry Christmas, and a super happy new year!
    Matthew

  • A Chat with Colin Hancock about Loren McMurray – Jazz Chat Episode 3

    A Chat with Colin Hancock about Loren McMurray – Jazz Chat Episode 3

    We hosted a very special guest this week on the channel to discuss an awesome new CD release of amazingly good digital transfers of 78 rpm records from the very early days of recorded jazz!

    Colin Hancock is the Producer of “The Moaninest Moan of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922”, a Grammy-nominated 2 CD set by Archeophone Records of 50 early jazz tracks featuring saxophonist Loren McMurray.

    Thanks Colin for a wonderful chat – and good luck at the GRAMMYs in February!

    Where to buy this CD:
    Includes 80 page booklet with liner notes by Colin Hancock and Mark Berresford.
    https://www.archeophone.com/catalogue/loren-mcmurray-moaninest-moan/

    Colin Hancock’s YouTube Channel
    Fans of this channel should go and subscribe forthwith!
    https://www.youtube.com/@Desdemona202

    Colin Hancock’s Unboxing Video (of this set)
    https://www.youtube.com/watch?v=yO71fP16vpc

    0:00 Intro
    0:53 “The Moaningest Moan of them All” Release
    3:54 Introducing Colin Hancock
    6:10 The impact of Loren McMurray
    7:06 Who was Loren McMurray?
    11:10 McMurray’s style of playing
    13:07 The saxophone in jazz
    15:33 What could have been?
    18:35 Why was McMurray forgotten for so long?
    21:54 How the CD Project came together
    27:57 Colin’s Favorite Tracks: “Lonesome Mamma Blues”
    28:43 Colin’s Favorite Tracks: “High Brown Blues”
    29:56 Colin’s Favorite Tracks: “Truly”
    30:57 Who was influenced by Mac?
    33:42 GRAMMY nomination
    36:27 What’s next? New Projects.
    39:58 Conclusion