Jazz Crazy Records

An Archive of Early Jazz on 78 RPM

Category: Uncategorized

  • “Do It If You Wanta” – Sonny Boy Williamson (1951)

    “Do It If You Wanta” – Sonny Boy Williamson (1951)

    Not to be confused with John Lee Curtis “Sonny Boy” Williamson, who recorded for Bluebird and RCA Victor in the late 30s and 40s and passed away in 1948, *this* Sonny Boy Williamson was born in Mississippi as Alex Ford.

    He performed in Mississippi and Arkansas in the 30s, consorting with Robert Johnson, Big Joe Williams, and Elmore James. Radio station KFFA in Arkansas hired him as a performer and starting promoting him as Sonny Boy Williamson (while the original Sonny Boy was still alive).

    Willard and Lillian McMurry started Trumpet records in Mississippi from the makeshift recording studio in the back room of the Record Mart, their little record store in Jackson.

    This rockin’ tune was recorded when Bill Haley was still playing western swing with the Saddlemen and Elvis was still a high school student. It’s a reminder of how influential, important, and prescient blues players like Williamson were in the history of rock and roll.

    Not a record I usually go out of my way to look for, but this one showed up at a garage sale at a price I couldn’t say no to.

    Recorded in Jackson, Mississippi on August 5, 1951.
    Released as Trumpet 139.

    Credits:
    Sonny Boy Williamson – harmonica
    Willie Love or David Cambell – piano
    Elmore James, Joe Willie Wilkins – guitar
    Leonard Ware – bass
    Unknown Artist – drums

    Sources:
    https://bobcorritore.com/photos/sonny-boy-williamson-ii/
    https://sundayblues.org/?p=4066

  • “Before Midnight” – Gladys Bentley (1952)

    “Before Midnight” – Gladys Bentley (1952)

    In celebration of Pride month 🏳️‍🌈 all of my posts this month will feature the music of LGBTQ+ artists of the 78 rpm era!

    A final disc from our LGBTQ+ heroine of the week, Gladys Bentley (the “Toast of the East Coast”). This one from much, much later in her career, coinciding with an article in Ebony magazine called “I’m a Woman Again” in which she renounced her “abnormal life” as a “male impersonator”, under duress from the conservative repression of the McCarthy era 1950s.

    It is difficult to imagine the pressure she must have been under at that time – trying to continue her career as a performer but under new trying circumstances. Perhaps that is why it is so telling that this record has no lyrics – just Bentley scatting along with her trademark trumpet-like voice to the backing of a soul-infused R&B quintette.

    The optimism and exuberance of her performance speaks volumes.

    The Flame label was owned by Jack Lauderdale, who started the Down Beat label in 1947. Only a handful of records were released from 1952-53 on this short-lived label.

    Believe it or not, I actually got this record as a packer record – a disc that is part of a record sandwich to protect a third inner disc. Often used by 78 sellers as an insurance policy to guard against damage during shipment. Thankfully, it survived the trip – and I was absolutely delighted to get it for free!

    Happy Pride!! 🏳️‍🌈🏳️‍⚧️

    Recorded circa 1952 in Cincinnati, Ohio (?).
    Released as Flame 1001.

    Credits:
    Gladys Bentley – vocals
    Unknown Artists – sax, piano, bass, drums

  • Drive-in Theater Promo – “10 Minutes to Showtime” – KELO Radio, Sioux Falls, South Dakota

    Drive-in Theater Promo – “10 Minutes to Showtime” – KELO Radio, Sioux Falls, South Dakota

    A promo – probably for a local drive-in movie theater – recorded by radio station KELO in Sioux Falls, South Dakota.

  • “Irish Jigs and Reels” Parts 1 + 2 –  Empire Guards Band (1912) ☘️

    “Irish Jigs and Reels” Parts 1 + 2 – Empire Guards Band (1912) ☘️

    Happy St. Patrick’s Day! ☘️

    Can’t remember how this British disc early in The Winner label’s catalog made it into the collection – probably part of a larger lot. I tend to hold on to interesting discs like this. Reminds me a bit of something the EMGColonel might play (R.I.P.).

    I’d dedicate it to my dear departed grandmother, Kathryn Rooney, but she likely would have disapproved of such cantankerous carrying on. She once sang in the choir for Pope John Paul II when he visited Des Moines in 1979. I recently found out my grandfather converted to Catholicism to marry her, so that gives you an idea of the radiant power of an Irish lass.

    Me, I love the whooping and hollering during the tune. These fellas were having a grand time while recording this one!

    Released as The Winner 2028 circa 1912 – at the twilight of the Edwardian era and the eve of the Great War.

    In any case, this one is suitable for playing on loop at St. Patrick’s Day dance parties.

    Slán go fóill!

  • “Hejre Kati” – Toscha Seidel (1919)

    “Hejre Kati” – Toscha Seidel (1919)

    Hungarian violinist and composer Jenö Hubay composed “Hejre Kati” (literally “Hey, Katie”) in the 1880s. Here we have an early recording of the composition on a one-sided 12″ Columbia disc performed by Violinist Toscha Seidel in 1919.

    Lest you think me mad for the inclusion of this classical recording on the channel, stay with me, dear reader, as I shall connect it in short order to the realm of jazz.

    But first, listen, and appreciate this record, whose first 70 seconds begin with long flowing lyrical bowing before picking up to a sprightly pace.

    You see, the composer, Mr. Hubay, was still teaching in Budapest when American jazz violinist Eddie South was touring Europe from 1928 – 1931.

    For the rest of the story – watch my next video at:
    https://youtu.be/RhORBC_ztmo

    Recorded in New York City on May 7, 1919.
    Released as Columbia 49630.

    Credits:
    Toscha Seidel – violin
    Louis Gruenberg – piano

    Sources:
    https://adp.library.ucsb.edu/index.php/matrix/detail/2000143993/49630-Scenes_from_the_csarda

  • “Auld Lang Syne” – J.W. Myers (1901) Happy New Year! 🥂🍾 🎶

    “Auld Lang Syne” – J.W. Myers (1901) Happy New Year! 🥂🍾 🎶

    One of the oldest records in my collection – shared with you, my friends, on New Year’s Eve 2025.

    Happy New Year! 🥂🍾 🎶

    Recorded in Camden, New Jersey on February 20, 1901.
    Released as Victor Monarch 3125.

    Credits:
    J. W. Myers – baritone vocals
    Unknown artist – piano accompaniment

  • Nutcracker Suite – Philadelphia Symphony Orchestra w/ Leopold Stokowski (1926)

    Nutcracker Suite – Philadelphia Symphony Orchestra w/ Leopold Stokowski (1926)

    Ok – an ambitious and uncharacteristically unjazzy choice today – a little Christmas music from my man Tschaikowsky, who I first heard about after hearing Duke Ellington and Billy Strayhorn’s Nutcracker Suite 😉.

    While there were earlier recordings of selected passages from the Nutcracker ballet, this 1926 recording spanning three 12″ discs includes about 20 minutes of the score. It is one of the first multi-record album sets of the ballet to be issued to my knowledge.

    Also, it appears to have been recorded electrically – so also is a very early – perhaps the first – electrical recording of the music of the Nutcracker.

    A few jazzier holiday tunes to come this week – right up until Xmas.

    Recorded in Philadelphia, Pennsylvania on November 10, 1926.
    Released as a three disc album, Victrola M-3 (individual catalog numbers 6615, 6616, and 6617).

    Credits:
    Conductor: Leopold Stokowski
    Orchestra: Philadelphia Symphony Orchestra

  • “I Don’t Want to set the World on Fire” – Ink Spots – ORIGINAL 78 rpm Version (1941)

    “I Don’t Want to set the World on Fire” – Ink Spots – ORIGINAL 78 rpm Version (1941)

    The Ink Spots were a massively popular vocal-driven quartet who got their start in Indiana and Ohio in the early 1930s. By the early 40s, they had sold millions of records and if you collect 78s, there seems to be at least one Ink Spots record in every collection.

    This song from 1941 has enjoyed quite a resurgence of interest over the past decade – especially from younger fans. It was included in the Fallout video game series and was featured in Fallout 3, Fallout New Vegas, Fallout 4, and Fallout 76 – as well as serving as the theme song to the Fallout television show.

    As a result, this record has become quite sought-after by a younger audience, which I think is wonderful way to introduce them to the music of the 78 rpm era.

    Thus, in a shameless attempt to gain younger viewers to the channel, I am posting a transfer of my copy – and am starting a new playlist of 78s used in movies and video games.

    Lyrics:
    I don’t want to set the world on fire
    I just want to start a flame in your heart
    In my heart I have but one desire
    And that one is you – no other will do

    I’ve lost all ambition for worldly acclaim
    I just want to be the one you love
    And with your admission that you feel the same
    I’ll have reached the goal I’m dreaming of, believe me!

    I don’t want to set the world on fire
    I just want to start a flame in your heart

    Recorded in New York City on August 27, 1941.
    Released as Decca 3987.

    Credits
    Bill Kenny – lead tenor vocals
    Charlie Fuqua – baritone vocals, guitar
    Deek Watson – tenor vocals, tenor guitar
    Orville Jones – bass vocals, cello

  • “Dance of the Demon” – Victor Arden Phil Ohman (1922)

    “Dance of the Demon” – Victor Arden Phil Ohman (1922)

    Adding a few spooky-themed records to my 78 rpm Halloween playlist today:
    https://www.youtube.com/playlist?list=PLSwGgF5a3aa_-7YmPtE_8PS6hY96fGhEP

    Victor Arden was born in Winona, IL in 1903 and attended the American Conservatory of Music before moving to NYC after WWI to make piano rolls and record with the All Star Trio and Green Brothers.

    Phil Ohman was born in New Britain, Connecticut in 1896 and was also working in NYC recording with Harry Yerkes, the Happy Six and the Paul Whiteman orchestra. He even pulled together his own dance orchestra to record a few sides for Edison in 1921-22.

    Arden and Ohman began playing together in 1921 and collaborated musically until the mid 30s. Both went on to have successful careers directing studio orchestras for radio and film.

    Here, they perform “Dance of The Demon” (Grand Galop de Concert) by Eduard Holst, composed in 1888. A lively duet!

    Recorded in Camden, New Jersey on December 5, 1922.
    Released as Victor 19041.

    Credits:
    Victor Arden, Phil Ohman – piano

    Sources:
    The Complete Encyclopedia of Popular Music and Jazz 1900-1950, Roger D. Kinkle
    The American Dance Band Discography 1917-1942, Brian Rust

  • A Christmas Message from the President of Reynolds Pen Company f/ Georgie Price

    A Christmas Message from the President of Reynolds Pen Company f/ Georgie Price

    And now a word from our sponsors…

    But seriously – it’s kind of amazing that at one time, the ball point pen – considered nothing short of “miraculous” when it first came out – was one of the hottest new technologies you could buy. Invented by Hungarian László Bíró in 1944, it was very quickly reverse-engineered by Chicago businessman Milton Reynolds and offered for sale in the U.S. within months.

    According to the Reynolds website:
    “The first Reynolds pen debuted in New York on the morning of October 29, 1945. The day the pen went on sale, an estimated 5,000 shoppers stormed the shop, and approximately 50 NYPD officers had to be dispatched for crowd control.”

    Time magazine reported that Gimbels in NYC sold 30,000 of the pens (which went for $12.50 each) in the first week.

    While most Americans will be hard pressed to find a Reynolds pen to buy, the company is still in existence and is prospering in India.

    On this record you hear the voice of Franklin Lamb, President of Reynolds Pen Company. Before he joined Reynolds, Lamb worked as the Advertising Director of Gimbel’s department store. He left Reynolds in 1949, so that helps to date this record to some Christmas between 1946 and 1948.

    In this promotional disc, Lamb excitedly tells Reynolds’ retailers about a new promotional initiative that he has cooked up to promote Reynolds Pens – a radio show featuring singer Georgie Price, who by that point had been retired from the entertainment industry and working at a brokerage firm.