Jazz Crazy Records

An Archive of Early Jazz on 78 RPM

Category: African

  • “Kisa Wanalia” – Sammy Okechi – Kenyan Guitarist

    “Kisa Wanalia” – Sammy Okechi – Kenyan Guitarist

    A virtually unknown Kenyan guitarist and singer recording for a small Nairobi label. Little information can be found on either the artist or the label.

    Guitarists like Okechi in Kenya were first inspired by Congolese fingerstyle guitarists such as Jean Mwenda Bosco. The Kenyan contribution to this style included the use of a second harmonizing vocal and glass bottle accompaniment. Fanta bottles were preferred due to their ribbed edging that could be scraped like a guiro.

    The title, Kisa Wanalia, can be translated as “The Story They Are Crying About.”

    The tuning of this one made it very difficult to pitch correctly – even more troublesome, the two different sides seem to have been recorded at different speeds.

    Recorded in Nairobi, Kenya – probably in the late 1950s or early 1960s.
    Released as Vedi’s VD 27.

    Sammy Okechi – guitar and vocal
    Unknown Artist – 2nd vocal, glass bottle

  • “Ebu Jameni” – Isaya Mwinamo (~1962) Kenyan Guitar

    “Ebu Jameni” – Isaya Mwinamo (~1962) Kenyan Guitar

    Isaya Mwinamo was a Kenyan guitarist and music producer born in Shinlayu township in Kakamega county in 1932. He moved to Nairobi in the 1950s and became a part of the music scene there. This is an early recording on the Capitol Music Store (CMS) label that prominently features his guitar sound

    Isaya later joined the Polydor label to record and produce many of Kenya’s top bands. He retired from music in 1985 and lived in his hometown until he passed away in 2005.

    Recording date is not known, however, on CMS 118, Isaya makes reference to a Kenyan political party started in 1960 and dissolving in 1964, so I’ve split the difference.

    The title “ebu jameni” is an exclamation that loosely translates as “Oh, Man!” or “Oh, My Goodness!”.

    Released as CMS 114 (mx. MKS.1028)

    Sources:
    Post by Rudent Obande
    https://www.facebook.com/photo.php?fbid=762876849172591&id=100063508488919&set=a.218720593588222

    Moving Pictures Kenya: Isaya Mwinamo – Legendary Kenyan Sound Engineer Who Recorded Africa’s Biggest Hits
    https://www.youtube.com/watch?v=-Vw-GpkE-bU

  • “Usiamini Rafiki” – Isaya Mwinamo (~1962) Kenyan Guitar

    “Usiamini Rafiki” – Isaya Mwinamo (~1962) Kenyan Guitar

    Isaya Mwinamo was a Kenyan guitarist and music producer born in Shinlayu township in Kakamega county in 1932. He moved to Nairobi in the 1950s and became a part of the music scene there. This is an early recording on the Capitol Music Store (CMS) label that prominently features his guitar sound

    Isaya later joined the Polydor label to record and produce many of Kenya’s top bands. He retired from music in 1985 and lived in his hometown until he passed away in 2005.

    Recording date is not known, however, on CMS 118, Isaya makes reference to a Kenyan political party started in 1960 and dissolving in 1964, so I’ve split the difference.

    The title loosely translates to: “Don’t believe it, friend”.

    Released as CMS 114 (mx. MKS.1027)

    Sources:
    Post by Rudent Obande
    https://www.facebook.com/photo.php?fbid=762876849172591&id=100063508488919&set=a.218720593588222

    Moving Pictures Kenya: Isaya Mwinamo – Legendary Kenyan Sound Engineer Who Recorded Africa’s Biggest Hits
    https://www.youtube.com/watch?v=-Vw-GpkE-bU

    Kentanza Vinyl
    https://kentanzavinyl.com/Kentanzavinyl/CMS.html

  • “Shangwe Mkubwa” – Jean-Bosco Mwenda (~1958)

    “Shangwe Mkubwa” – Jean-Bosco Mwenda (~1958)

    The great Congolese fingerstyle guitarist Jean-Bosco Mwenda.

    If you like this, I just discovered that Mwenda’s set at the 1969 Newport Folk Festival was recorded and is available online:
    https://www.wolfgangs.com/music/jean-bosco-mwenda/audio/20020427-50522.html

    Believed to have been recorded circa 1958.

    Released as Gallotone CO.196 (mx. ABC/EA.17822).

    Credits:
    Jean-Bosco Mwenda – guitar, vocals
    Unknown accompanist – glass bottle

  • “Baba Moko” – Jean-Bosco Mwenda (~1958)

    “Baba Moko” – Jean-Bosco Mwenda (~1958)

    The great Congolese fingerstyle guitarist Jean-Bosco Mwenda.

    If you like this, I just discovered that Mwenda’s set at the 1969 Newport Folk Festival was recorded and is available online:
    https://www.wolfgangs.com/music/jean-bosco-mwenda/audio/20020427-50522.html

    Believed to have been recorded circa 1958.
    Released as Gallotone CO.196 (mx. ABC/EA.17821)

    Credits:
    Jean-Bosco Mwenda – guitar, vocals
    Unknown accompanist – glass bottle

  • “Bunyore Ni Kubwa” – Arthur Okwemba & Jimmy Bingwa

    “Bunyore Ni Kubwa” – Arthur Okwemba & Jimmy Bingwa

    Kenyan musicians Arthur Okwemba and Jimmy Bingwa perform “Bunyore Ni Kubwa”.

    Bunyore is a region in Western Kenya and “kubwa” is a Swahili word meaning “great” or “big”, so the title literally translates to “Bunyore is Great”.

    Two harmonizing vocals accompanied by fingerstyle guitar and glass bottle – a classic combination.

    Mwangaza was an independent Kenyan label launched by David Amunga in 1965. While Western record labels had stopped producing 78 rpm records in the late 1950s in favor of the smaller lighter vinyl 45 rpm format, 78s were still produced in other parts of the world, including Kenya, through the mid-1960s.

    Recorded in Nairobi, Kenya circa 1966.
    Released as Mwangaza Music Stores GT 24 (mx. MMS 45).

    The flip side, “Taabu Za Vijana”, can be heard at:
    https://youtu.be/-m2tw2_00DA

  • “Taabu Za Vijana” – Arthur Okwemba & Jimmy Bingwa (c. 1966) Kenyan Guitar

    “Taabu Za Vijana” – Arthur Okwemba & Jimmy Bingwa (c. 1966) Kenyan Guitar

    Kenyan musicians Arthur Okwemba and Jimmy Bingwa perform “Taabu Za Vijana”, roughly translated as “Troubles of the Youth” or “Problems of the Young People”.

    Two harmonizing vocals accompanied by fingerstyle guitar and glass bottle – a classic combination.

    Mwangaza was an independent Kenyan label launched by David Amunga in 1965. While Western record labels had stopped producing 78 rpm records in the late 1950s in favor of the smaller lighter vinyl 45 rpm format, 78s were still produced in other parts of the world, including Kenya, through the mid-1960s.

    Recorded in Nairobi, Kenya circa 1966.
    Released as Mwangaza Music Stores GT 24 (mx. MMS 46).

    The flip side, “Bunyore Ni Kubwa”, can be heard at:
    https://youtu.be/xpWoE2QEnBg

  • “Namai Ocholi” – Henry Misango (c. 1966) Kenyan Omutibo Guitar

    “Namai Ocholi” – Henry Misango (c. 1966) Kenyan Omutibo Guitar

    Henry Misango was a fingerstyle guitarist who played in the Omutibo style popularized by George Mukabi. After Mukabi’s untimely death in 1963, several Kenyan guitarists continued to play in this style – including Henry Misango, Herbert Misango, William Osale, Humphrey Eshitool, Peter Opwaka and Fanuel Ami- mo.

    The title of this song seems to be a first name and last name – I do not know the significance of this name.

    Recorded in Nairobi, Kenya circa 1966.
    Released as Mwangaza Music Stores GT 22 (mx. MMS 42).

    Credits
    Henry Misango – guitar, vocals
    Unknown artist – percussion, vocals

    The flip side can be heard at:
    https://youtu.be/rcqIA9MonIU

    More Henry Misango transfers:

    “Mali Haina Mwenyewe”
    https://youtu.be/3bTpR77moEw

    “Wazazi Wanakosa Mvazi”
    https://youtu.be/76mmoDTKtbs

  • “Nalia Ulofa” – Henry Misango (c. 1966) Kenyan Omutibo Guitar

    “Nalia Ulofa” – Henry Misango (c. 1966) Kenyan Omutibo Guitar

    Henry Misango was a fingerstyle guitarist who played in the Omutibo style popularized by George Mukabi. After Mukabi’s untimely death in 1963, several Kenyan guitarists continued to play in this style – including Henry Misango, Herbert Misango, William Osale, Humphrey Eshitool, Peter Opwaka and Fanuel Ami- mo.

    The title of this song seems to be a first name and last name – I do not know the significance of this name.

    Recorded in Nairobi, Kenya circa 1966.
    Released as Mwangaza Music Stores GT 22 (mx. MMS 41).

    Credits
    Henry Misango – guitar, vocals
    Unknown artist – percussion, vocals

    The flip side can be heard at:
    https://youtu.be/S4ycH1cwkLE

    More Henry Misango transfers:

    “Mali Haina Mwenyewe”
    https://youtu.be/3bTpR77moEw

    “Wazazi Wanakosa Mvazi”
    https://youtu.be/76mmoDTKtbs

  • “Marie Catho” – Franco (1955) Rumba Congolaise

    “Marie Catho” – Franco (1955) Rumba Congolaise

    By the time the 17-year-old Luambo Franco cut this record in 1955, he had already been playing professionally for three years – both with Ebengo de Wayon in Group Watam and as a solo recording artist for the Loningisa label.

    Upon hearing him play at a Loningisa recording session in 1953, Loningisa owner Basile Papadimitriou gave him a nice guitar and signed a 10 year contract with the young guitarist, remarking, « Mon petit bon- homme, tu es appelé à un grand avenir ».

    By 1955, he had become a national sensation – and was performing frequently to packed bars. His band would “borrow” equipment from the Loningisa studio to play these gigs, then return it before morning. When Papadimitriou discovered this, he was angry at first – but quickly realized that supporting his stars should be his priority and he allowed the band to continue their nightly withdrawals of instruments and equipment.

    This record was originally released on the Loningisa label for distribution within Belgian Congo. These LON series discs on the HMV label were then made for distribution outside of Congo. I believe they are master pressings and sound great!

    Recorded in Léopoldville (now Kinshasa), Belgian Congo (now Democratic Republic of the Congo) on October 14, 1955.
    Released as His Master’s Voice LON. 1023.
    Originally released as Loningisa No. 129

    Credits:
    Franco (Luambu François) – guitar
    Antoine Kibongué – organ (Hammond Solovox)
    Augustin Moniania “Roitelet”- bass
    José – vocals

    The flip side, “Bayini Ngai Mpo Na Yo” can be heard at:
    https://youtu.be/S7W2rJ3Gfq8

    Source:
    Dictionnaire Des Immortels De La Musique Congolaise Moderne
    by Jean-Pierre François Nimy Nzonga
    https://www.editions-harmattan.fr/catalogue/livre/dictionnaire-des-immortels-de-la-musique-congolaise-moderne/37369